Son of a draftsman architect, Robert Maguire began his education at Duke University, but like so many others of his generation, left for service in World War II, fighting with the 88th infantry in Italy.^[2] Upon his return, his interest in art led him to the Art Students League in New York, where his instructor was the famed Frank Reilly. Two of Maguire's more noteworthy fellows were Clark Hulings and James Bama,^[2] graduates all of the class of '49.^[1]

Maguire's career took off immediately with his first work for Trojan Publications: cover art for their line of small pocket pulps, with titles like Hollywood Detective Magazine (Oct. 1950). Maguire did three of the eight covers for this pocket pulp series. From then on, his career blossomed.^[1]

His classic period of the 50s and 60s grew out of his skilled female images, some of the best and most memorable of the period. Maguire's mastery of the "femme fatale" created a vintage paperback icon: his women are passionate yet somehow down to earth, approachable, though sometimes at your own risk.

Robert Maguire continued evolving and producing fine art as well as many memorable illustrations.

Maguire's over 1,200 covers for such publishers as Pocket, Dell, Ace, Harper, Avon, Silhouette, Ballantine, Pyramid, Bantam, Lion, Berkley, Beacon, Monarch and Signet - virtually every mainstream publishing house in New York - makes his original cover art a tour de force in the last half of the twentieth century.^[1]

One of his most famous book covers is Black Opium, which is considered by many crime noir paperback collectors to be the definitive crime noir paperback cover of the genre. He also designed art covers for video games and for music CDs.^[2]

• Illustration
• List of illustrators

• Silke, Jim (2009). Dames, Dolls and Gun Molls: The Art of Robert A. Maguire. Dark Horse Comics. p. 96. ISBN 978-1-59582-272-7.

• Robert A. Maguire
• Robert A. Maguire artwork and story can be viewed at American Art Archives web site
• Robert Maguire – Pulp Covers