Friedrich Rudolf Klein was born in Cologne, Germany on 24 November 1885.^[1] His father, Hermann Rudolf Klein, was a military lawyer who served as auditeur (the equivalent of Judge Advocate General) for the 15th Division of the Prussian Army, garrisoned at Cologne. His mother, Maria Bertha Emma Rose, was the daughter of a prominent landowner (gutsbesitzer) in Lichteinen, East Prussia.

The elder Klein hoped his son would follow him into a military career and entered him in one of the elite Prussian cadet academies (possibly nearby Bensberg). These institutions were famous for their harsh discipline and dedication to Spartan ideals; many of Germany's most renowned 19th and 20th century military leaders attended such schools. On his deathbed, however, Klein-Rogge confided to a friend that when a teacher went after him (sich an ihm verging) he ran away from school. Traveling by night and hiding during the day, the boy returned home only to be told by his father that he was a Weichling and from henceforth he was the "black sheep" of his family.

His father's premature death in 1896 ended Klein-Rogge's tenure at the cadet school and he entered a local humanistic gymnasium in Cologne. One of his childhood friends was future film composer Gottfried Huppertz, who was to write the scores for Lang's Die Nibelungen as well as Metropolis. Huppertz dedicated his first composition, "Rankende Rosen" ["Climbing Roses"], to Klein-Rogge.) It was likely the actor who introduced his old friend to Lang.

Klein-Rogge spent three years at the University of Bonn (then Rhein-Universität) and in Berlin, studying art history. He also began taking acting lessons from Hans Siebert, a veteran of Vienna's Burgtheater, and made his stage debut in 1909, playing Cassius in Julius Caesar in Halberstadt.^[1][2] As there was a contemporary actor named Rudolf Klein, the future film star added "Rogge" to his name. (Rogge was the surname of his mother's first husband and his half-siblings.)

After his debut, Klein-Rogge went on to play in theaters located in Düsseldorf, Kiel and Aachen.^[1] In Aachen, Klein-Rogge wed actress Gerda Melchior, a cousin of the beloved silent film star Henny Porten, but the marriage ended when he met actress and novelist Thea von Harbou. The two married in 1914 and the following year, Klein-Rogge joined Nuremberg's Städtische Bühnen theatre as both an actor and director.^[1] In 1918, the pair moved to Berlin to capitalize on von Harbou's writing skills and her budding career as a scenarist and screenwriter, while Klein-Rogge was hired by Victor Barnowsky, director of Berlin's Lessing Theater.

Klein-Rogge's film career began in earnest in 1919, although he may have made an uncredited screen debut in 1913's Der Film von der Königin Luise, directed by Franz Porten. It has been more widely stated that he appeared in an uncredited role of a criminal in The Cabinet of Dr. Caligari. However, recent research has found that the part was actually played by Ludwig Rex. The confusion may have stemmed from Klein-Rogge's skill in disguising his appearance with theatrical makeup, wigs and prosthetics, which has led at least one movie historian to dub him Germany's Lon Chaney.

At this time, von Harbou was having an affair with director Fritz Lang and eventually left Klein-Rogge to marry Lang.^[2] Despite the split, Klein-Rogge made several films that were written by von Harbou and directed by Lang, including Destiny, Dr. Mabuse the Gambler, Die Nibelungen, Metropolis and Spies. Klein-Rogge's intense look led him to similar roles such as a tyrant in Fritz Wendhausen's Der steinerne Reiter, a pirate in Arthur Robison's Pietro der Korsar, and the Czar in Alexandre Volkoff's Casanova. Klein-Rogge's last film with Lang was The Testament of Dr. Mabuse in 1933.^[1]

Klein-Rogge played the lead roles in two films written and directed by von Harbou: Elisabeth und der Narr and Hanneles Himmelfahrt.^[1] Klein-Rogge remarried twice, first to Margarete Neff, and lastly with the Swedish actress Mary Johnson in 1932, to whom he remained married until his death in 1955.^[2]

^[1][2]

References edit

• Bock, Hans-Michael (2009). The Concise Cinegraph: Encyclopaedia of German Cinema. Berghahn Books. ISBN 9780857455659. Retrieved 16 February 2010.
• Eisner, Lotte H. (2008). The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. University of California Press. ISBN 978-0-520-25790-0. Retrieved 16 February 2010.

• Rudolf Klein-Rogge at IMDb
• The Official Rudolf Klein-Rogge Page (Germany)
• Rudolf Klein-Rogge
• Photographs of Rudolf Klein-Rogge