His work is closely connected with that of the contemporary red-figure technique, which was then in the process of replacing black-figure as the dominant style. His figures are often drawn as silhouettes. He often painted Dionysiac scenes, but his best works are those focusing on depictions of posture and dignity. They were usually on belly amphorae of type A. He is close in style to the Priam Painter and Psiax, but his talent is not inferior to that of the red-figure painters of the Pioneer Group active at the same time. He was, thus, one of the best vase painters of his style and period. A stylistically close contemporary was the Painter of Tarquinia RC 6847.
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