There dwelt a Nymph, not up for hunting or archery:
unfit for footraces. She the only Naiad not in Diana’s band.
Often her sisters would say: "Pick up a javelin, or
bristling quiver, and interrupt your leisure for the chase!"
But she would not pick up a javelin or arrows,
nor trade leisure for the chase.
Instead she would bathe her beautiful limbs and tend to her hair,
with her waters as a mirror.
One day Hermaphroditus went swimming in her pool. Upon seeing him, Salmacis was struck with love for him, approached him and confessed her love to him; but he was not interested, and demanded she leave. She did so, but her passion took her back, unable to stay away from him. As Hermaphroditus emerged from the pool, she threw herself at him, and forcibly kissed him as he tried to escape. Salmacis then cried to the gods and begged them to let them stay together forever; and the gods answered by fusing them together for all time, into a deity that had both male and female parts. She thus becomes one with Hermaphroditus and he curses the fountain to have the same effect on every other person who would bathe there.
In a description found on the remains of a wall in Halicarnassus, Hermaphroditus' mother Aphrodite names Salmacis as the nymph who nursed and took care of an infant Hermaphroditus after his parents put him in her care, a very different version than the one presented by Ovid.
Salmacis was the name of a fountain or spring located in modern-day Bodrum, Turkey. According to some classical authors, the water had the reputation of making men effeminate and soft. This legend lies at the heart of Ovid's tale of Salmacis and Hermaphroditus.
A fresco in Room 10 of the Casa della Venere in Conchiglia (House of Venus in the Shell) in Pompeii depicts Eros standing inbetween Hermaphroditus and Salmacis. The fresco is possibly the earliest (before 79 AD) and the only ancient artwork of the water nymph before her union with Hermaphroditus.
Algernon Charles Swinburne's 1863 poem "Hermaphroditus", based on the Bernini sculpture of the same in the Louvre, makes mention of Salmacis in the final stanza.
A novel of short stories by Italian writer Mario Soldati called Salmace (Salmacis), a title that spans the entire collection. In the story it tells of the transformation of a man into a woman, in a highly metaphorical context.
A sculpture by Sir Thomas Brock of Salmacis (aka The Bather Surprised) was designed in 1868. It was modelled and exhibited at the Royal Academy, London in 1869. A variety of porcelain replicas were made from 1875 and an example was exhibited at the Paris Exhibition of 1878.
The Fontana Greca ("Greek Fountain") is a fountain from the Renaissance period located in Gallipoli, southern Italy. The fountain has bas-reliefs depicting three metamorphoses in Greek mythology. The center bas-relief shows Eros flying beside Aphrodite, while Hermaphroditus and Salmacis are shown below laying together and embracing.
A painting of Salmacis in 1877 by French artist Charles Landelle was one of the most admired works at the Paris Exhibition according to The Art Journal of 1878. The painting depicts a startled Salmacis seated among reeds, clutching her drapery to her chest in alarm.
The British progressive rock band Genesis wrote and performed a song entitled "Fountain of Salmacis" on their 1971 album Nursery Cryme. It is an epic 8 minute-long piece which tells the story of Salmacis' attempted rape of Hermaphroditus. At the end of the song, the lyrics state that Salmacis and Hermaphroditus were "joined as one" and forever live beneath the lake from which the fountain appears.
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