Summary
Sam Hunter (1858–1939) was a Canadian cartoonist and writer who worked for four Toronto newspapers.[4] His work displayed his support for the Conservative Party of Canada and criticized Liberals such as Wilfrid Laurier, as well as French Canadians, Catholics, and Americans. Peter Desbarats and Terry Mosher described Hunter as "a great and gentle caricaturist".[5]
| Sam Hunter | |
|---|---|
 "Seeds of Discord and Furrows of Care", The Toronto World, 30 January 1897 | |
| Born | Samuel Hunter March 1859[1] Millbrook, Canada West |
| Died | December 1939 (aged 80) Toronto, Ontario, Canada |
| Nationality | Canadian |
| Area(s) | cartoonist |
| Spouse(s) |
Jeanette Brayley (m. 1888) |
| Children | Mary Collingwood[3] |
| Signature | |
 | |
Biography edit
Hunter was born in Millbrook in Canada West[6] in March 1859, and first started showing his talent for caricature during his time as a schoolboy.[7] He initially followed his father John Hunter's footsteps[7] to become a Clerk of the Division Court at Millbrook.[8]
As a young man, he travelled through Western Canada, and produced a series of prints concerning Indians and western life.[5] His first published work as an illustrator appeared in 1882,[7] with his first political cartoons commissioned by John Wilson Bengough for the satirical magazine Grip in Toronto. He was firmly established in Toronto by 1885.[5] Together with Bengough and other cartoonists, he helped to popularize the fictional character of Johnny Canuck as a national personification of Canada.[9]
He worked for the Toronto World newspaper for twenty years beginning in 1897.[5] His work displayed his support for the Conservative Party of Canada and criticized Liberals such as Wilfrid Laurier, French Canadians, Catholics, and Americans. Many of Hunter's cartoons were inspired by William Findlay Maclean.[10]
During World War I, Hunter moved to The Globe[5] where his satirical targets included French-Canadian opposition to conscription.[11] These cartoons had a noticeable anti-Laurier and anti-Quebec bias.[5] After the war, he moved to the Toronto Star.[5] He had also worked for the Toronto News[11]
For three months every summer, Hunter stayed at "Pepacton", a cottage on the McCracken's Shore of Stony Lake, which became a gathering place for artists, writers and musicians.[4] He wrote about the area for the Peterborough Examiner in 1895.[12]
Hunter retired in early 1937,[6] and died in Toronto in December 1939.[11][10]
References edit
- ^ "Search Results: Census of Canada, 1911". collectionscanada.gc.ca. Retrieved 25 March 2016.
- ^ "Ontario Marriages, 1869–1927". familysearch.org. Retrieved 25 March 2016.
- ^ "Samuel Hunter: Canada Census, 1911". familysearch.org. Retrieved 25 March 2016.
- ^ a b Bentham & Hooke 2000, p. 113.
- ^ a b c d e f g Desbarats & Mosher 1979, p. 239.
- ^ a b "Veteran Cartoonist Retires". Montreal Gazette. 3 May 1937. p. 8.
- ^ a b c A.R.C. (15 September 1894). "Two Clever Canadian Caricaturists and Illustrators". The Metropolitan. Montreal. p. 9.
- ^ "Samuel Hunter: Canada Census, 1881". familysearch.org. Retrieved 25 March 2016.
- ^ "Mr. Sam Hunter's Lecture". The Mail and Empire. 30 January 1899. p. 6.
- ^ a b "Notes and Comments". The Globe and Mail. 9 December 1939. p. 6.
- ^ a b c Spencer 2013, p. 82.
- ^ Bentham & Hooke 2000, p. 72.
Works cited edit
- Bentham, Christie; Hooke, Katharine (2000). From Burleigh to Boschink: A Community Called Stony Lake. Natural Heritage/Natural History. ISBN 1-896219-63-2.
- Desbarats, Peter; Mosher, Terry (1979). The Hecklers: A History of Canadian Political Cartoonists and a Cartoonists' History of Canada. Toronto: McClelland & Stewart. ISBN 0-7710-2686-2.
- Spencer, David R. (2013). Drawing Borders: The American-Canadian Relationship during the Gilded Age. Bloomsbury Publishing. ISBN 978-1-4411-0912-5.
External links edit
Media related to Sam Hunter at Wikimedia Commons- Adcock, John. "Sam Hunter". Punch in Canada.
