Sealstone of Mani

Summary

The crystal seal of Mani (French: Sceau de Mani; English: Crystal sealstone of Mani or Manichean Rock-Crystal Seal) is a crystal stone seal with intaglio busts of three Manichean elect. There is a circle of Syriac writing around the intaglio, which could have been a personal seal used by Mani, the founder of Manichaeism.[1] It is the oldest surviving piece of Manichaean art, and the only piece from Sassanid Mesopotamia.[2] It is now in the collection of the National Library of France in Paris.

Mani's crystal seal
The crystal seal seen from the perspective of the round convex surface
Materialquartz
Sizediameter 2.9 cm, thickness 0.9 cm
WritingSyrian
Created3rd century AD
Present locationNational Library of France
Identificationinv.58.1384bis

Description edit

According to the research by Hungarian Asian religious art historian Gu Leci, the seal was used between 240 and 274 or 277 AD. She believes that this crystal stone is a unique piece of art. Its uniqueness is not only because of its historical value, but also because of its artistic characteristics that are completely different from other ancient Iranian gem seals. This crystal was originally inlaid in a metal rim, and has two functions: first, its concave surface is used as a seal; second, the intaglio images and inscriptions seen through its round convex surface will appear as embossed. It can be worn as a gem-engraved necklace ornament.

The Syrian inscriptions engraved around must also be visible through the convex surface: "M’ny šlyḥ’ d-yyšw‘ mšyḥ’", meaning literally "Mani, messenger of the messiah".[3][4] The text may be interpreted as "Mani, the apostle of Jesus Christ",[3] making this seal is the first Manichaean artwork to mention Jesus. In the early Manichaean literature, this sentence is often used as the beginning of the religious letters written by Mani.[5][6]

References edit

  1. ^ ""Sceau de Mani" (inv.58.1384bis)". medaillesetantiques.bnf.fr (in French). Retrieved 2018-12-19. Selon Zsuzsanna Gulácsi, le sceau daterait de l'époque même de Mani et pourrait être son sceau privé.
  2. ^ Gulácsi, Zsuzsanna (2008). "Manichean Art". Encyclopædia Iranica. Columbia University. Retrieved 2018-12-19.
  3. ^ a b GULÁCSI, ZSUZSANNA (2010). "The Prophet's Seal: A Contextualized Look at the Crystal Sealstone of Mani (216-276 C.E.) in the Bibliothèque nationale de France" (PDF). Bulletin of the Asia Institute. 24: 164. ISSN 0890-4464. JSTOR 43896125.
  4. ^ Grenet, Frantz (2022). Splendeurs des oasis d'Ouzbékistan. Paris: Louvre Editions. p. 93. ISBN 978-8412527858.
  5. ^ Gulácsi, Zsuzsanna (2015). Mani's Pictures: The Didactic Images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China. "Nag Hammadi and Manichaean Studies" series. Vol. 90. Leiden: Brill Publishers. p. 62. ISBN 9789004308947.
  6. ^ GULÁCSI, ZSUZSANNA (2010). "The Prophet's Seal: A Contextualized Look at the Crystal Sealstone of Mani (216-276 C.E.) in the Bibliothèque nationale de France" (PDF). Bulletin of the Asia Institute. 24: 166. ISSN 0890-4464. JSTOR 43896125.