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String Quartet No. 12 (Villa-Lobos)

Summary

String Quartet No. 12 is the part of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1950. A performance lasts approximately twenty-two minutes.

Villa-Lobos in June 1952

History edit

Villa-Lobos began composing his Twelfth Quartet in New York in 1950, during a stay in Memorial Hospital following kidney surgery, completing the score at the Hotel Weston on 15 September.[1] According to the catalogue published by the Museu Villa-Lobos, it was first performed by the Quarteto Haydn in the Auditório do MEC, Rio de Janeiro, on 3 November 1951.[2] According to another authority, the first performance was given that same year by the São Paulo Quartet.[3] The score is dedicated to Mindinha (Arminda Neves d'Almeida), the composer's companion for the last 23 years of his life.

Analysis edit

As in all of Villa-Lobos's string quartets except the first, there are the traditional four movements:

  1. Allegro
  2. Andante malinconico
  3. Allegretto leggiero
  4. Allegro ben ritmato

Departing from the traditional sonata-allegro form, Villa-Lobos casts the opening movement of this quartet in a simple ABA ternary form. Each section is thirty-two bars in length, subdivided into sixteen- , eight- , and four-bars segments, and this main body of the movement is followed by a sixteen-bar coda. An interesting detail of the manuscript score is that Villa-Lobos uses the Portuguese tempo marking Alegro, instead of the Italian spelling which is his normal habit.[4] The middle, B section is marked meno, and is in the rhythm of a modinha.[5] The composer's biographer, Eero Tarasti, regards this as a regression to Villa-Lobos's earlier, clumsier style of quartet writing, and finds the texture "considerably more complicated than in previous quartets and the sound lacks transparency".[6] Juan José Gutiérrez, on the contrary, views the quartet as relatively simple and concise, marking the beginnings of a neoclassical concern with balance and symmetry of structure in the composer's late period.[7]

Like the opening movement's central section, the second, slow movement has the character of a modinha. Like the first movement, it is also in an ABA ternary form, in this case preceded by a thirty-two-bar introduction.[8]

The third movement is a scherzo (explicitly marked as such in the manuscript, but not in the printed score).[9] At rehearsal-number five the cello introduces a quotation from Villa-Lobos's 1940 cantata Mandú-Çárárá, played in parallel fifths.[10]

The finale is once again a ternary ABA form, with a twenty-one bar coda.[11] The composer described one theme from this movement as being "à la Spanish".[12]

Discography edit

  • Villa-Lobos: Quatuors a Cordes Nos. 12–13–14. Quatuor Bessler-Reis (Bernardo Bessler, Michel Bessler, violins; Marie-Christine Springuel, viola; Alceu Reis, cello). Recorded at Multi Studio in Rio de Janeiro, June–July 1991, and at Studio Master in Rio de Janeiro, July 1989. CD recording, 1 disc: digital, 12 cm, stereo. Le Chant du Monde LDC 278 1066. France: [S.n.], 1991.
    • Also issued as part of Villa-Lobos: Os 17 quartetos de cordas / The 17 String Quartets. Quarteto Bessler-Reis and Quarteto Amazônia. CD recording, 6 sound discs: digital, 12 cm, stereo. Kuarup Discos KCX-1001 (KCD 045, M-KCD-034, KCD 080/1, KCD-051, KCD 042). Rio de Janeiro: Kuarup Discos, 1996.
  • Heitor Villa-Lobos: String Quartets Nos. 5, 9 and 12. Danubius Quartet (Gyöngyvér Oláh and Adél Miklós, violins; Cecilia Bodolai, viola; Ilona Ribli, cello). Recorded at the Rottenbiller Street Studio in Budapest from 18 to 23 May 1992. CD recording, 1 disc: digital, 12 cm, stereo. Marco Polo 8.223392. A co-production with Records International. Germany: HH International, Ltd., 1993.
  • Villa-Lobos: String Quartets, Volume 4. Quartets Nos. 2, 12, 16. Cuarteto Latinoamericano (Saúl Bitrán, Arón Bitrán, violins; Javier Montiel, viola; Alvaro Bitrán, cello). Recorded at the Sala Blas Galindo of the Centro Nacional de las Artes in Mexico City, November and December 1998. Music of Latin American Masters. CD recording, 1 disc: digital, 12 cm, stereo. Dorian DOR-93179. Troy, NY: Dorian Recordings, 1998.
    • Reissued as part of Heitor Villa-Lobos: The Complete String Quartets. 6 CDs + 1 DVD with a performance of Quartet No. 1 and interview with the Cuarteto Latinoamericano. Dorian Sono Luminus. DSL-90904. Winchester, VA: Sono Luminus, 2009.
    • Also reissued (without the DVD) on Brilliant Classics 6634.

Filmography edit

  • Villa-Lobos: A integral dos quartetos de cordas. Quarteto Radamés Gnattali (Carla Rincón, Francisco Roa, violins; Fernando Thebaldi, viola; Hugo Pilger, cello); presented by Turibio Santos. Recorded from June 2010 to September 2011 at the Palácio do Catete, Palácio das Laranjeiras, and the Theatro Municipal, Rio de Janeiro. DVD and Blu-ray (VIBD11111), 3 discs. Rio de Janeiro: Visom Digital, 2012.

References edit

  1. ^ Gustafson 1991, pp. 8, 10–11.
  2. ^ Villa-Lobos, sua obra 1989.
  3. ^ Gutiérrez 2006, p. 3.
  4. ^ Gutiérrez 2006, p. 4.
  5. ^ Estrella 1978, p. 100.
  6. ^ Tarasti 1995, p. 316.
  7. ^ Gutiérrez 2006, pp. 3–4.
  8. ^ Gutiérrez 2006, pp. 8–9.
  9. ^ Gutiérrez 2006, p. 11.
  10. ^ Tarasti 1995, p. 317.
  11. ^ Gutiérrez 2006, p. 13.
  12. ^ Gustafson 1991, p. 8.

Cited sources edit

  • Estrella, Arnaldo. 1978. Os quartetos de cordas de Villa-Lobos, second edition. Rio de Janeiro: Museu Villa-Lobos, Ministério da Educação e Cultura.
  • Gustafson, Ralph. 1991. "Villa-Lobos and the Man-Eating Flower: A Memoir". The Musical Quarterly 75, No. 1 (Spring, 1991), pp. 1–11.
  • Gutiérrez, Juan José. 2006. "Performance Aspects of String Quartets No. 12, 13 and 14 by Heitor Villa-Lobos". DMA diss. Tallahassee: Florida State University.
  • Tarasti, Eero. 1995. Heitor Villa-Lobos: The Life and Works, 1887–1959. Jefferson, North Carolina: McFarland & Company, Inc.
  • Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009

Further reading edit

  • Béhague, Gerard. 1979. Music in Latin America: An Introduction. New Jersey: Prentice-Hall.
  • Béhaque, Gerard. 1994. Heitor Villa-Lobos: The Search for Brazil's Musical Soul. Austin: Institute of Latin American Studies, University of Texas at Austin.
  • Béhague, Gerard. 2003. Villa-Lobos, Heitor: String Quartets, Cuarteto Latinoamericano. [review] Latin American Music Review / Revista de Música Latinoamericana 24, no. 2 (Autumn–Winter): 293–94.
  • Gilman, Bruce. 1999. "Enigma de vanguardia", translated by Juan Arturo Brennan. Pauta: Cuadernos de teoría y crítica musical 17, no. 69 (January–March): 29–34.
  • Kraehenbuehl, David. 1957. "George Rochberg: String Quartet, 1952. (Society for the Publication of American Music, 37th Season, 1956.) New York: Society for the Publication of American Music; distr.: Carl Fischer, 1957; Toch, Ernst. Dedication. For string quartet or string orchestra, with optional bass part. New York: Mills, 1957. Heitor Villa-Lobos: String Quartets, Nos. 4, 7, and 12. New York: Associated Music Publishers, 1956; Ernest Gold: String Quartet No. 1. (Society for the Publication of American Music, 37th Season, 1956.) New York: Society for the Publication of American Music; distr.: Carl Fischer, 1957". Notes 15, no. 1 (December): 147.
  • Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação, edited by Marisa Rezende and Mário Nogueira, 71–76. Rio de Janeiro: Universidade Federal do Rio de Janeiro (UFRJ) (Escola de Música).
  • Tarasti, Eero. 2009. "Villa-Lobos's String Quartets". In Intimate Voices: The Twentieth-Century String Quartet, vol. 1: Debussy to Villa-Lobos, edited by Evan Jones, 223–55. Eastman Studies in Music 70. Rochester, NY: University of Rochester Press. ISBN 978-1-58046-322-5; ISBN 978-1-58046-229-7; ISBN 978-1-58046-340-9.
  • Villa-Lobos, sua obra: Programa de Ação Cultural. 1972. Second edition. Rio de Janeiro: MEC, DAC, Museu Villa-Lobos.

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