Summary
"The Iceman Cometh" is a 1960 television production of the 1946 Eugene O'Neill play of the same title. Two separate parts were originally broadcast as episodes of The Play of the Week by the television network and syndication service the NTA Film Network (or NTA).[1][2][3]
| "The Iceman Cometh" | |
|---|---|
| The Play of the Week episodes | |
 Broadway Theatre Archive recording DVD cover | |
| Episode nos. | Season 2 Episodes 8 and 9 |
| Directed by | Sidney Lumet |
| Written by | Eugene O'Neill |
| Produced by | Lewis Freedman Worthington Miner (Executive producer) National Telefilm Associates |
| Featured music | special music played by Paul McDonough |
| Original air dates | November 14, 1960 (Part 1) and November 21, 1960 (Part 2) |
| Running time | 102 minutes (Part 1) 106 minutes (Part 2) |
| Guest appearances | |
|
and in order of appearance
| |
Cast edit
Opening credits edit
- Jason Robards, Jr.
- Co-Starring Myron McCormick
- and in order of appearance
- Tom Pedi
- James Broderick
- Farrell Pelly
- Robert Redford
- Ronald Radd
- Roland Winters
- Harrison Dowd
- Michael Strong
Closing credits edit
- starred Jason Robards, Jr. as Theodore "Hickey" Hickman
- co-starred Myron McCormick as Larry Slade
- also starred in order of appearance
- Tom Pedi as Rocky Pioggi
- James Broderick as Willie Oban
- Farrell Pelly as Harry Hope
- Robert Redford as Don Parritt
- Ronald Radd as The Captain Cecil Lewis
- Roland Winters as The General Piet Wetjoen
- Harrison Dowd as James "Jimmy" Tomorrow
- Michael Strong as Chuck Morello
- and Sorrell Booke as Hugo Kalmar
- Maxwell Glanville as Joe Mott
- Charles White as Lt. Pat "Mac" McGloin
- Walter Klavun as Ed Mosher
- Hilda Brawner as Margie
- Julie Bovasso as Pearl
- Herbert Voland as Moran
- with Joan Copeland as Cora
Introductory remarks edit
Part 1 edit
"Good evening. I'm Worthington Miner. As executive producer of The Play of the Week, I take a personal pride and honor in our presenting to you tonight one of the great plays of our generation, The Iceman Cometh by Eugene O'Neill. As a symbol of the stature of this event, Mister Brooks Atkinson, essayist, correspondent and, for thirty-five years, drama critic of The New York Times, has consented to appear on this program to say a few words to you about Mister O'Neill and his meaning to the American theater. Mister Atkinson…"
Brooks Atkinson: "The Play of the Week is about to present, for the first time on this series, a drama by a man more widely respected and acclaimed throughout the world than any American dramatist, Eugene O'Neill. Few men of any age have been able to see, far less to transmit, the passions, the agonies, the wisdom and the corrosive humors that lie in the hearts and the minds of derelict mankind. O'Neill has this depth, a depth of humanity, of pity and love and respect, even for the dregs of society. He knew their idiom of speech, their habitual profanity, their coarseness. And yet he touched these vulgarities with a poet's understanding and with the generosity of a deeply reverent heart. O'Neill wrote with respect for the stark truth that he saw as the authentic garment of the tortured human being. The Iceman Cometh is a harsh and ruthless drama. It appeals to the mature mind and a sensitive spirit. It is one of America's greatest plays and a sensitive and mature audience deserves to see it."
Part 2 edit
"Good evening. I'm Worthington Miner, executive producer of Play of the Week. Tonight, we are presenting part two of The Iceman Cometh by Eugene O'Neill. But first, I would like to introduce Mister Brooks Atkinson, for thirty-five years, drama critic of The New York Times, who will say a few words to you about Mister O'Neill and The Iceman Cometh. Mister Atkinson…"
Brooks Atkinson: "The Play of the Week is about to present the second part of The Iceman Cometh. It is one of the last plays of Eugene O'Neill. Few men of any age have been able to recognize and convey the passions, the agonies and the corrosive humors that lie in the hearts and the minds of derelict mankind, but O'Neill has this depth, a depth of love and respect, even for the dregs of society. He knew their speech and their common profanity, their coarseness, and yet he touched these vulgarities with a poet's understanding. O'Neill wrote with respect for the stark truths that he saw as the authentic garment of the tortured human being. The Iceman Cometh is a harsh and ruthless drama. It appeals to the mature mind and the sensitive spirit. It is one of America's greatest plays and a sensitive and mature audience deserves to see it."
Plot summary edit
See play summary in the article for The Iceman Cometh.
References edit
- ^ "11:20 P.M.—Channel 11: Play of the Week. 'The Iceman Cometh'. Often considered one of O'Neill's best efforts…" (The Blade {Toledo, Ohio}, December 30, 1962, page 10)
- ^ "O'Neill Play in Two Parts on Channel 33" (The Gettysburg Times, January 7, 1967, page eight)
- ^ "Play of the Week: The Iceman Cometh" (The Iron Cupcake, May 18, 2014)
