The Shutov Assembly is the twelfth solo studio album by Brian Eno, released on 10 November 1992 on Opal via Warner Bros. Records. One of Eno's ambient albums, it was reissued in 2014 with a second disc with bonus tracks. It is considered the follow-up to Nerve Net, which was released that same year.
The Shutov Assembly | ||||
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Studio album by | ||||
Released | 10 November 1992 (US, Germany) 28 June 2005 (re-issue) | |||
Recorded | 1985–1990 | |||
Genre | Ambient, dark ambient | |||
Length | 57:04 | |||
Label | Warner (Opal) All Saints Records (re-issue) | |||
Producer | Brian Eno | |||
Brian Eno chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Drowned in Sound | 7/10[2] |
Pitchfork | 5.8/10[3] |
PopMatters | 9/10[4] |
Q | [5] |
Tom Hull – on the Web | B−[6] |
Uncut | [7] |
The album is dedicated to Russian artist Sergei Shutov, and was created as an assembly of tracks for him, as he had mentioned to Eno the difficulty he had of getting Eno's music in the then-communist Russia.
Shutov is a Russian painter who I know in Moscow, and a while ago he gave me a painting as a present. He uses my music in his studio a lot; he's got a little blaster there, and plays my music as he's working. So I thought I’d put together a tape for him of unreleased pieces from the past few years. I kept a copy of the tape, and when I started playing it I started to enjoy it and see a thread running through the pieces that I hadn't really seen before. They’d never been put together before, you see.[8]
On the rear cover of the CD, the ten tracks of nine letters are arranged in a grid as seen in a word search puzzle.
The album's Rykodisc entry describes it as "a journey through Eno's sumptuous audio-visual installations from around the world, each track touching down on a particular event and atmosphere."[10]
Talking to Mojo magazine in 1998, Eno explained that The Shutov Assembly tracks were originally proposals for orchestral pieces.
The Netherlands Metropole Orkest played two performances of the music in June 1999 at the Holland Festival, which ran from 5 to 26 June in Amsterdam, the first of which was broadcast live on Dutch radio.
Though the music can certainly be classified amongst his other ambient works, most of the compositions have a certain "dark" feel to them. In an interview, Eno said "it's the association with danger that I didn't use to like, and it's exactly that, what I do like now".[11]
Country | Label | Cat. No. | Media | Release Date |
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US | Opal/Warner Bros | 9-45010-2 | CD | 1992 |
US | Rykodisc/All Saints | 42/HNCD 1478 | CD | 2004 |
US | Hannibal | 1478 | CD | 2005 |