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The Spinning-Woman by the Spring

Summary

The Spinning-Woman by the Spring or The Kind and the Unkind Girls is a widespread, traditional folk tale, known throughout Europe[1] and in certain regions of Asia, including Indonesia. The tale is cataloged as AT 480 in the international Folktale catalog.

Synopsis edit

Two stepsisters are, one after another, sent out to serve in the house of a witch where they are assigned what appear to be difficult or impossible tasks. For instance, they are tasked to carry water with a sieve.

The kind girl, however, obeys requests from grateful animals and learns from the birds' song that she must line the sieve with clay to complete her task. Other chores they are assigned include washing black wool white, and gathering flowers at midwinter.

As payment for her household work she can choose one of three caskets, an attractive red, a common yellow or an ugly blue casket. Again, she receives advice from the animals and makes the modest choice and becomes richly rewarded.

Even though the unkind girl is also able to understand animal language, she refuses to follow the advice given by the birds and the help offered by other animals.[2]

Analysis edit

In many variants, the witch-like character that presents the girls with the choice of casket is replaced by personifications of the twelve months of the year,[3] as it happens, for instance, in Greek variants.[4]

It has been argued that the donor in these stories shows some connection to an underworld realm, or has an otherworldly description.[5]

According to scholar Andreas Johns, "in many European and East Slavic versions", the girl drops a spindle into a well, which is the entry point to the otherworld.[6]

Godwin and Groenewald mentioned that in African stories, the calabash is the instrument to draw water, while in the European versions, it is a bucket.[7] However, according to Marie Campbell, Warren Roberts's study on the tale type indicated that the motif of the bucket in the well is "typically German".[8]

International distribution edit

The tale type is recorded all over the world: a great number of versions were registered from Scandinavia and Russia, but tales also exist from Southern Europe, Middle East, Africa, North and South America, India, China and Japan.[9]

Origins edit

According to scholar Christine Goldberg, Warren E. Roberts, through the historic-geographic method, distinguished two forms of the tale type, one old and one new, and their origin point as the Near East.[10] However, Slovak professor Viera Gaspariková [uk] suggested that the tale type AaTh 480 is "relatively recent" and originated in Europe, in a Romance-speaking region.[11]

Europe edit

 
The Kind Girl with her fuse sat by the well. Illustration from Household stories from the collection of the Bros. Grimm (1914).

At least 700 versions have been collected from all over Europe.[12]

Professor William Bernard McCarthy states that, in Hispanic tradition, the tale type ATU 480 "frequently" led to ATU 510A, "Cinderella".[13] Further scholarship points that this combination also happens in Catalan, French and Portuguese variants.[14]

The tale type is said to be "the most widely collected" type in Estonia,[15] with 234 variants reported.[16]

According to scholar Bronislava Kerbelyte [lt], the tale type is reported to register 363 Lithuanian variants, with and without contamination from other tale types.[17]

Middle East edit

Scholar Ulrich Marzolph [de] remarked that the tale type AT 480 was one of "the most frequently encountered tales in Arab oral tradition", albeit missing from The Arabian Nights compilation.[18]

Africa edit

The tale type is also "largely known" in Africa,[19][20] "found all over" the continent.[21] Africanist Sigrid Schmidt claims that this tale type, among others, must belong to a very old and indigenous tradition of the continent.[22] A similar opinion is shared by ethnologist Geneviève Calame-Griaule [fr]: according to her, the tale type "seems deeply rooted" in Africa, due to "its frequency and permanence".[23]

According to scholar Denise Paulme, in African tales, the good character meets an old man or old woman on their way to fetch some water, and this mysterious elder asks her to delouse them or to give them food. In addition, the rivalry may occur between female blood siblings (twins or not), stepsisters, and even between co-wives of the male character.[24]

Americas edit

The tale type is also said to be "widespread" in U.S. tradition.[25] Folklorist Herbert Halpert, in turn, asserted that in American and English variants of the tale type, two narratives exist: one like The Three Heads of the Well (girl combs three heads at a well), and another he dubbed Long Leather Bag (heroine is kind to objects and animals, finds a leather bag in the witch's chimney).[26]

In literature edit

A more direct appearance of the choice of casket motif occurs in Japanese folktale The Tongue-Cut Sparrow: a poor old man rescues a sparrow and is presented with the choice between a large casket and a small one; he chooses the small box. This tale is also a variant of the ATU 480 tale type.

Shakespeare edit

The same motif is used by William Shakespeare in the play The Merchant of Venice. Act 2, Scene VII where the Prince of Morocco has to solve the riddle and find out what casket hides Portia's portrait.

MOROCCO
The first, of gold, who this inscription bears,
'Who chooseth me shall gain what many men desire;'
The second, silver, which this promise carries,
'Who chooseth me shall get as much as he deserves;'
This third, dull lead, with warning all as blunt,
'Who chooseth me must give and hazard all he hath.'
How shall I know if I do choose the right?

List of tales edit

See also edit

References edit

  1. ^ McCarthy, William Bernard. Cinderella in America: a book of folk and fairy tales. The University Press of Mississippi. 2007. p. 158. ISBN 978-1-57806-959-0
  2. ^ Sherman, Josepha (2008). Storytelling: An Encyclopedia of Mythology and Folklore. Sharpe Reference. pp. 271-272. ISBN 978-0-7656-8047-1
  3. ^ Kropej, Monika. "Slovene midwinter: deities and personifications of days in the yearly, work, and life cycles". In: Mencej, Mirjam (ed.). Space and time in Europe: East and West, Past and Present. Ljubljana: Zbirka Zupaničeva knjižnica, št. 25. Ljubljana: Oddelek za etnologijo in kulturno antropologijo, Filozofska fakulteta [Department of Ethnology and Cultural Anthropology, Faculty of Arts], 2008. p. 181.
  4. ^ Dawkins, Richard McGillivray. Modern Greek folktales. Oxford: Clarendon Press. 1953. p. 451.
  5. ^ Vaz da Silva, Francisco (2000). “Cinderella the Dragon Slayer". In: Studia Mythologica Slavica 3 (May). Ljubljana, Slovenija. pp. 193-194. https://doi.org/10.3986/sms.v3i0.1836.
  6. ^ Johns, Andreas. Baba Yaga: The Ambiguous Mother and Witch of the Russian Folktale. New York: Peter Lang. 2010 [2004]. p. 124. ISBN 978-0-8204-6769-6
  7. ^ Godwin, Denise, and H. C. Groenewald. "SOME ZULU VARIANTS OF "THE SNAKE BRIDEGROOM"." Merveilles & Contes 8, no. 2 (1994): 299-300. Accessed 2 September 2021. http://www.jstor.org/stable/41390394.
  8. ^ Campbell, Marie. Tales from the Cloud Walking Country. Athens and London: The University of Georgia Press. 2000. p. 263. ISBN 9780820321868.
  9. ^ Dekker, Ton. "Vrouw Holle". In: Van Aladdin tot Zwaan kleef aan. Lexicon van sprookjes: ontstaan, ontwikkeling, variaties. 1ste druk. Ton Dekker & Jurjen van der Kooi & Theo Meder. Kritak: Sun. 1997. p. 394.
  10. ^ Goldberg, Christine. "The Historic-Geographic Method: Past and Future". In: Journal of Folklore Research 21, no. 1 (1984): 13. Accessed April 12, 2023. http://www.jstor.org/stable/3814340.
  11. ^ Pacalová, Jana. "Slovenské povesti Jána Francisciho (metóda, tvar, koncepcia)". In: Slovenská literatúra 55, 2008 p. 18 and footnote 39.
  12. ^ Ross, R. M.; Greenhill, S. J.; Atkinson, Q. D. "Population structure and cultural geography of a folktale in Europe". Proceedings. Biological Sciences. 2013 Apr. 280 (1756): 20123065. DOI: 10.1098/rspb.2012.3065. [1]
  13. ^ McCarthy, William Bernard. Cinderella in America: a book of folk and fairy tales. The University Press of Mississippi. 2007. p. 108. ISBN 978-1-57806-959-0.
  14. ^ Villalba Arasa, Laura. "Estudi i edició de tres versions de La Ventafocs i les germanastres (ATU 480 + 510A) recollides per Adelaida Ferré i Gomis". In: Estudis de Literatura Oral Popular [Studies in Oral Folk Literature], [en línia], 2015, Núm. 4, pp. 159-160. https://www.raco.cat/index.php/ELOP/article/view/304875 [Consulta: 13 March 2021].
  15. ^ Folktales and Fairy Tales: Traditions and Texts from around the World. Second Edition. Volume I: A-F. Edited by Anne E. Duggan and Donald Haase, with Helen J. Callow. Greenwood Press. 2016. p. 307. ISBN 978-1-61069-253-3.
  16. ^ Järv, Risto; Kaasik, Mairi. "Estonian Fairy Tales Up the Beanstalk into Heaven and Coal Porridge: Two Tales of Growing Up". In: Journal of Ethnology and Folkloristics, [S.l.], v. 12, n. 1, p. 11, July 2018. ISSN 2228-0987. Available at: <https://www.jef.ee/index.php/journal/article/view/278>. doi: https://doi.org/10.2478/jef-2018-0002.
  17. ^ Skabeikytė-Kazlauskienė, Gražina. Lithuanian Narrative Folklore: Didactical Guidelines. Kaunas: Vytautas Magnus University. 2013. p. 30. ISBN 978-9955-21-361-1
  18. ^ Marzolph, Ulrich; van Leewen, Richard. The Arabian Nights Encyclopedia. Vol. I. California: ABC-Clio. 2004. p. 12. ISBN 1-85109-640-X (e-book)
  19. ^ D’Huy, Julien; Dupanloup, Isabelle. "D’Afrique en Amérique: la bonne et la méchante fille (ATU 480)". In: Nouvelle Mythologie Comparée [New Comparative Mythology]. 2015, 2, pp. 1-13. <http://nouvellemythologiecomparee.hautetfort.com/archive/2015/02/19/julien-d-huy-et-isabelle-dupanloup-d-afrique-en-amerique%C2%A0-la-5562363.html
  20. ^ McCarthy, William Bernard. Cinderella in America: a book of folk and fairy tales. The University Press of Mississippi. 2007. p. 158. ISBN 978-1-57806-959-0
  21. ^ "-les <<Deux Filles>> (Aarne-Thompson 480) (...) ce conte (...) se retrouve dans toute l'Afrique". Calame-Griaule, Geneviève. "Smith, Pierre, Le récit populaire au Rwanda [compte-rendu]". In: Journal des africanistes, 1976, tome 46, fascicule 1-2. p. 269. www.persee.fr/doc/jafr_0399-0346_1976_num_46_1_1783_t1_0269_0000_1
  22. ^ Schmidt, Sigrid. Children Born from Eggs: African Magic Tales - Texts and Discussions. Afrika erzählt Band 9. Cologne, Germany: Rüdiger Köppe Verlag. 2007. p. 311. ISBN 978-3-89645-192-7.
  23. ^ Calame-Griaule, Geneviève. "The Father's Bowl: Analysis of a Dogon Version of AT 480". In: Research in African Literatures 15, no. 2 (1984): 168. Accessed 11 July 2021. http://www.jstor.org/stable/4618102.
  24. ^ Paulme, Denise. "Morphologie du conte africain". In: Cahiers d'études africaines, vol. 12, n°45, 1972. p. 151. [DOI: https://doi.org/10.3406/cea.1972.2775]; www.persee.fr/doc/cea_0008-0055_1972_num_12_45_2775
  25. ^ McCarthy, William Bernard. Cinderella in America: a book of folk and fairy tales. The University Press of Mississippi. 2007. p. 158. ISBN 978-1-57806-959-0.
  26. ^ Randolph, Vance. The Devil's Pretty Daughter. Columbia University Press, 1955. pp. 199-200.

Literature edit

  • Aarne, Antti; Thompson, Stith. The Types of the Folktale. A Classification and Bibliography. The Finnish Academy of Science and Letters. Folklore Fellows Communications FFC N. 184. Helsinki 1961. pp. 164–167. ISBN 951-41-0132-4.
  • Ashliman, D. L. A Guide to Folktales in the English Language: Based on the Aarne-Thompson Classification System. Bibliographies and Indexes in World Literature, vol. 11. Westport, Connecticut: Greenwood Press, 1987. pp. 101–102. ISBN 0-313-25961-5.
  • Christiansen, Reidar Th. (1930). "A Norwegian Fairytale in Ireland?". Béaloideas. 2 (3): 235–45. doi:10.2307/20521594. JSTOR 20521594. Accessed 10 May 2021.
  • Dimitrova, Delyana (2016). "Conceptual Metaphor in an English and Bulgarian Version of the Tale of the Kind and the Unkind Girls". Balkanistica. 26: 17–60.
  • Dosedla, Heinrich (2012). "The Kind and Unkind Papuan Girls: Tumbuna Tales from the Highlands of Papua New Guinea". Fabula. 53 (1–2): 46–63. doi:10.1515/fabula-2012-0003. S2CID 163739787.
  • Duggan, Anne E. and Stotter, Ruth. "The Kind and Unkind. Motif Q2". In: Jane Garry and Hasan El-Shamy (eds.). Archetypes and Motifs in Folklore and Literature. A Handbook. Armonk / London: M.E. Sharpe, 2005. pp. 371–377.
  • Erik Henning Edvardsen: An Oral Prose Motif from AT 480 used by William Shakespeare in The Merchant of Venice. (Still unpublished).
  • Roberts, Warren E. (1958). "The special forms of Aarne-Thompson type 480 and their distribution". Fabula. 1 (1): 85–102. doi:10.1515/fabl.1958.1.1.85. S2CID 164046113.
  • Roberts, Warren E. "The Tale of the Kind and the Unkind Girls. Aa-Th 480 and Related Tales". Fabula: Journal of Folktale Studies. Supplement-Serie. B: Untersuchungen Heft 1. Walter de Gruyter & Co. Berlin 1958a.
  • El-Shamy, Hasan (2004). Types of the Folktale in the Arab World: A Demographically Oriented Tale-Type Index. Bloomington: Indiana University Press. pp. 248–252 (list of entries).

External links edit

  • Folktales of ATU type 480, "The Kind and Unkind Girls" by D. L. Ashliman

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