1920s edit

The debut recording with Ethel Waters was recorded on Black Swan Records (1921) and rapidly became a hit. Her rendition features the rarely-heard 6-bar instrumental intro,^[b] followed by her singing the 1st verse (16 bars, plus 1), then her singing the 1st chorus (16 bars, plus 2), then instruments playing 8, plus 2 bars of the chorus, finishing with her singing the 1st chorus (16 bars, plus 2).

Variety magazine, in a fifty-year commemorative issue, included Ethel Waters' recording in its "Hit Parade of a Half-Century (1905–1955)" list for 1923.^[6] A 1924 recording by Marion Harris (Brunswick 2651) helped establish it as a standard.^[7] Other artists with notable recordings during the 1920s include Josie Miles (Ajax 17087; 1924), Sophie Tucker (Okeh 40921; 1927), and the Chicago Rhythm Kings (Red McKenzie, vocalist; Brunswick 4001; 1928). In jazz discography, which does not include the recordings of Marion Harris or Sophie Tucker, there were 11 recordings of the song during the 1920s.^[4]

1930s edit

Standout recordings from the 1930s include Fats Waller (Bluebird B10322; 1935), Pee Wee Russell's Rhythmakers (HRS (de) 1000; 1938), and Benny Goodman and His Orchestra^[8] (Louise Tobin, vocalist, Fletcher Henderson arrangement; Columbia 35210; 1939). In jazz discography, there were 17 recordings of the song during the 1930s, including double takes by (i) Benny Carter and His Swing Quintet (Masters of Jazz (F)MJCD95 CD & Vocalion S46), (ii) Pee Wee Russell's Rhythmakers (both takes on HRS 1001; 1938), (iii) Benny Goodman And His Orchestra (Columbia 35210 & Phontastic (Swd)NOST7606; 1939), and (iv) Eddie Condon And His Chicagoans (Decca 18041 & Meritt 11; 1939).^[4]

1940s edit

1941 was not a good year for newly published popular music due to the ASCAP strike. According to a January 31, 1942, Billboard article, ASCAP members claimed only 2 of the top 13 sellers in sheet music. Five of the remaining 11 were revivals, one of which was "There'll Be Some Changes Made."^[9] The 1941 film, Play Girl, gave new life to the song. In 1941, Benny Goodman's 1939 version became a Billboard No. 1 Hit for 4 weeks (during April and May) and peaked at No. 2 on Your Hit Parade. In 1961, BMI published a list, "All-Time Hit Songs, Broadcast Music, Inc., 1940–1960," in Billboard. "There'll Be Some Changes Made" was among the 17 songs listed for 1947.^[10] In jazz discography, there were 60 recordings of the song during the 1940s.^[4]

Notable recordings from the 1940s include Vaughn Monroe and His Orchestra (Marilyn Duke, vocalist; Bluebird B-11025-A; 1941), the Hoosier Hot Shots (Okeh 6114; 1941) and Peggy Lee (Capitol 15001; 1947).

1950s edit

In early 1959, Billie Holiday did three sessions with Ray Ellis and orchestra for MGM Records in New York: March 3, 4, and 11. She recorded "Changes" in the final session. That session turned out to be the last studio session of her life. She died 4 months and 6 days later — on July 17.^[11] The album — released under various titles, notably, Last Recording (MGM SE-3764; 1959) — was posthumously released.

In jazz discography, there were 42 recordings of "Changes" during the 1950s.^[4]

1960s – current edit

Notable artists who recorded "Changes" include Ann-Margret on her 1962 album The Vivacious One, Jaki Byard (Muse 5007; 1972), Tony Bennett (Improv 7112; 1973–1977) and Fox Face (Dirtnap Records ZZZ-163; 2021)

2000 edit

In 2004, Tony Bennett sang that song again at the Montreux Jazz Festival with the Phil Collins Big Band accompanied by pianist Ralph Sharon and double bassist Douglas Richeson, and that event can be heard on Collins's 4 CD box set Plays Well with Others published in 2018.

Western swing and country western edit

Outside of jazz, in western swing, Bob Wills recorded it in 1937 (Vocalion DAL 244-1). In country music, Chet Atkins and Mark Knopfler recorded — on their 1990 Grammy award winning album Neck and Neck — a parody version that references the Dire Straits song "Money for Nothing" ...

Money for nothin' and chicks for free

Feature films

• Use of the song in the 1941 film, Play Girl, helped repopularize the song 20 years after its debut.
• Ida Lupino sang the song in the 1948 film, Road House
• Joan Blondell sang the song in the 1951 film, The Blue Veil
• In the 1972 film Slaughterhouse-Five, a quartet is singing the song when the airplane Billy Pilgrim is traveling in spins out of control and crashes.^[12]
• Ann Reinking sang and danced to the song accompanied by Leland Palmer and Erzsébet Földi during the "Hallucination Sequence" in the 1979 film, All That Jazz, directed by Bob Fosse. Reinking, Fosse's previous partner, directs the song to Roy Scheider playing Joe Gideon, a semi-autobiographical version of Fosse himself.
• The soundtrack of Woody Allen's 1999 film, Sweet and Lowdown, included "There'll Be Some Changes Made," recorded by members of the film's music department: Howard Alden, solo guitar, Bucky Pizzarelli, rhythm guitar, Ken Peplowski, clarinet, Kelly Friesen, bass, and Ted Sommer, drums. In the scene, Emmet Ray, played by Sean Penn in the lead role as a guitarist, is playing the song with his quintet at a club as he is approached by a woman with black hair.^[13]

Shorts

• The 1928 Vitaphone short film, Character Studies (Vitaphone 2734), directed by Murry Roth, featured three songs, including "Changes," all sung by Florence Brady (née Florence E. McAleer; born approx. 1902), a comedian, singer, vaudeville actress, and longtime stage partner with her songwriter husband, Gilbert William Wells (1893–1935).^[14]

Notes on the Tatum recording

† "There'll Be Some Changes Made," was recorded in 1941 on acetate discs by an amateur, a Columbia Student, Jerry Newman (né Jerome Robert Newman; 1918–1970), and released in the 1973. Newman's collection was the initial sole material used to launch the jazz label, Onyx Recording, Inc. (aka Onyx Records), a New York entity co-founded in 1972 by Don Schlitten and Joe Fields.^[18][19]

Newman,^[c] while a student at Columbia in 1941, lugged his acetate disc recording machine – a portable Wilcox-Gay Recordio "disc cutter" – to jazz clubs in Harlem, including Minton's Playhouse on 118th Street and Clark Monroe's Uptown House on 134th Street, both of which were incubators of jazz of the day, and in 1941, the beginning of bebop. Newman's collection served as the core library for Onyx Recording, Inc. Art Tatum^[20] at Minton's in 1941, issued by Onyx after being declined by Columbia, on the LP God Is in the House.^[21] At the 16th Annual Grammy Awards held in March 1974, the album won two Grammys, one for Best Improvised Jazz Solo and one for Best Liner Notes, written by Morgenstern. Newman's recordings have been issued as unauthorized records, variously over the years; that is, none were done so with the permission or participation of the artists or their estates.^[22] The commercial value of the recordings were deemed nil; and those who acquired and distributed the recordings viewed the mission as one of curating jazz history.

The Art Tatum session at Gee-Haw Stables, later, became the subject of a poem, "Art Tatum at the Gee-Haw Stables," by Grace Schulman.^[23]

1. MelOdee 1257^[24]
   Melodee Music Co., Inc.
2. QRS 7389
   February 1941
   Fats Waller, piano roll artist
3. QRS Word Roll 8316^[24]
   J. Lawrence Cook, piano roll artist
   (audio on YouTube)
4. Aeolian 1741^[24]
   J. Lawrence Cook, piano roll artist

Original copyright

"There'll Be Some Change Made" (sic ... "Change" vs. "Changes")

Billy Wiggins (pseudonym of William Higgins) (words)

Benton Overstreet (music)

Fletcher Hamilton Henderson Jr. (arrangement)

© 16 September 1921 (1 c.) E519207

New York: Harry Herbert Pace^{[Original 1]}

Subsequent copyrights

© 17 September 1923 E569379

© 1924 New York: Edward B. Marks Music Corp.^[d]

Billy Wiggins (pseudonym of Billy Higgins) (lyrics)

William Belton Overstreet (music) (1888–1939)

OCLC 499111772

5 additional choruses by Wilson & Ringle^{[25][26][27][28][29][e][f]}

© 20 November 1924 E601555;^{[Original 2]} © Renewal 10 December 1951 R87327 (Wilson & Ringle arrangement)

© 20 November 1924 E601555; © Renewal 20 November 1951 R86297 (Wilson & Ringle arrangement)^{[Renewal 1]}

OCLC 20410673, 945930898

Arrangements and renewals

© 31 January 1940 EP83470; © Renewal 31 January 1967 R403184 (scored by Jerry Gray; Artie Shaw, arr.)^{[Renewal 2]} OCLC 40478415

© 20 February 1940 EP83170; © Renewal 1 March 1967 R405147 (Roy Eldridge, arr.)^{[Renewal 3]}

© 22 May 1941 EP94890 (Harry Henneman; born 1913; arr.)^{[Original 3]}

© 14 September 1945 EP134967; © Renewal 26 September 1972 R536531 (Van Alexander, arr.)^{[Renewal 4]}

© 14 April 1948 EP25222 (Claude G. Garreau, vocal arr., TTBB, published in Time to Harmonize, Vol. 2, pps. 14–15); OCLC 1350092^{[g][Renewal 5]}

© 16 September 1921 E519207; © Renewal 20 September 1948 R38135 (Henderson, arr.)^{[Renewal 6]}

© 16 September 1921 E519207; © Renewal 17 September 1948 R38310 (Henderson, arr.)^{[Renewal 6]}

© 16 December 1924 E603539;^{[Original 4]} © Renewal 10 December 1951 R87328 (Wheeler, arr.)

© 17 September 1923 E569379; © 7 January 1954 EP77406 (arrangement by Bud Arburg, EdD, né Harold Walton Arberg Sr. 1918–2009; for four male voices – TTBB)^{[Renewal 7]}

© 13 August 1929 EP8383 (arr. for orchestra by Ted Lewis); © Renewal 24 August 1956 R175950^{[Renewal 8]}

© 1958? (arrangement by Clay Warnick; 1915–1995; for SATB & piano), Plate N° 13861; OCLC 20610949

© 28 April 1965 EP201952 (Charles E. Brooks, arr. for barbershop quartet)^{[Renewal 9]}

© 2012 (transcribed & adapted by Myles Collins; vocal arrangement for big band); Salamander Bay: England Lush Life Music, Plate N° LLM2172; OCLC 867767047

International versions / editions

© 1959; (Swedish text by Tommy, pseudonym of Lennart Reuterskiöld (sv), 1898–1986; for voice & piano with chords); Stockholm: Reuter & Reuter; OCLC 185373906

Catalog of Copyright Entries, Part 3 Musical Compositions, New Series, Library of Congress, Copyright Office

Original and renewal copyrights

Catalog of Copyright Entries, Third Series, Renewal Registrations-Music, Library of Congress, Copyright Office

Copyright renewals and arrangements

Edward B. Marks Corporation was the publisher of "There'll Be Some Changes Made." The sheet music cover design, artwork by Irving Politzer (1898–1972), featured portraits of performers who had recorded the song. Those appearing on covers include Marion Harris, Ruth Etting, and Benny Goodman.

Subtitle on some sheet music covers edit

Some sheet music covers, even 1st editions, included the subtitle, in parentheses, "Philosophic Blues."