The book begins with an essay by Orange, detailing "brief and jarring vignettes revealing the violence and genocide that Indigenous people have endured, and how it has been sanitized over the centuries."^[5]

As the novel continues into fiction it alternates between first, second, and third person perspectives, following twelve characters who are Native American or closely related to Native Americans in the area of Oakland, California.^[6][7][a] The main characters include Tony Loneman, Dene Oxendene, Opal Viola Victoria Bear Shield, Edwin Black, Bill Davis, Calvin Johnson, Jacquie Red Feather, Orvil Red Feather, Octavio Gomez, Daniel Gonzales, Blue, and Thomas Frank.

The characters face similar conflict throughout the novel. A teenager, Orvil Red Feather, turns to Google in search of the answer of the question of "What does it mean to be a real Indian,"^[7] and in the mirror, wearing tribal regalia, sees only "a fake, a copy, a boy playing dress-up."^[9] Calvin Johnson confronts his guilt at claiming to not be Native at all, admitting, "Mostly I just feel like I'm from Oakland."^[7] One character struggles with his place in society as "ambiguously nonwhite," while another "overweight and constipated, has a graduate degree in Native American literature but no job prospects — a living symbol of the moribund plight of Indian culture in the United States."^[6] Thomas, who is an alcoholic and has lost his job working as a janitor, wrestles with a life lived suspended between his mother, who is white, and his "one-thousand-percent Indian" father who is a medicine man.^[6] Orange writes:

You're from a people who took and took and took and took. And from a people taken. You're both and neither. In the bath, you'd stare at your brown arms against your white legs in the water and wonder what they were doing together on the same body, in the same bathtub.^[10]

Tony Loneman grapples with the fetal alcohol syndrome left to him by his alcoholic mother. Octavio Gomez remembers alcohol through the drunk driving incident that claimed his family. Jacquie Red Feather faces sobriety from the perspective of a substance abuse counselor in the wake of her daughter's suicide thirteen years prior.^[7] Blue recalls how she initially remained with her abusive partner before finally leaving.^[11] Jacquie and her half-sister Opal Viola Victoria Bear Shield recall their childhood experiences in the American Indian Movement's occupation of Alcatraz island.

All storylines and characters eventually coalesce around a pow wow taking place at the Oakland–Alameda County Coliseum, where some characters have smuggled in 3D printed handguns in an attempt to rob the event to repay drug debts.^[6][8]

Orange, a member of the Cheyenne and Arapaho tribes, was raised in the Oakland area.^[12]

The title of the novel (despite taking note of the song "There There" by English rock band Radiohead in the second chapter) is a reference to Gertrude Stein's own description, in her 1937 Everybody's Autobiography, of an attempt to return to her childhood home in Oakland but finding that the rural Oakland she remembered was gone: "There is no there there."^[5][8] For Native people, Orange writes that cities and towns represent "buried ancestral land, glass and concrete and wire and steel, unreturnable covered memory. There is no there there."^[5]

Alcatraz Island and its prison also serves as a meaningful location in the novel: a desolate institution that had no running fresh water and no electricity; these conditions were used as an example comparable to the conditions that many urban Native American reservations faced. The character Opal Viola Victoria Bear Shield, her half-sister Jacquie, and their mother Vicky, were on Alcatraz during the American Indian Movement (AIM)'s occupation of the island.^[13]

Writing in the New York Times, Alexandra Alter described the book in terms of ambivalence and complexity, quoting Orange, himself a graduate of the Institute of American Indian Arts, born to a Cheyenne father and white mother who converted to evangelical Christianity and denounced his father's spiritual beliefs, "I wanted to have my characters struggle in the way that I struggled, and the way that I see other native people struggle, with identity and with authenticity."^[5]

The Globe and Mail described There There, saying that it "should probably be on reading lists for every creative writing program in this country," and commended it as "stunning," with "effective, masterful execution."^[11] The New York Times praised Orange's "extraordinary ability" and described the novel as "a tense, prismatic book with inexorable momentum."^[14] According to the Sydney Morning Herald, Orange brings "authority and intelligence" to the stories of his characters: In the novel, "[d]islocation and grief are constant, yet again and again we encounter resistance and resilience."^[15] Publishers Weekly summarized the work as "breathtaking" and a "haunting and gripping story,"^[16] while The Millions dubbed it "one of our most anticipated books of the year."^[17] The National Book Review called There There "spectacular," "a work of fiction of the highest order," landing "on the shores of a world that should be abashed it was unaware it had been awaiting his arrival."^[3]

Canadian writer Margaret Atwood praised the work as "an astonishing literary debut."^[18] Egyptian-Canadian novelist and journalist Omar El Akkad wrote:

There There is a miraculous achievement, a book that wields ferocious honesty and originality in service of telling a story that needs to be told. This is a novel about what it means to inhabit a land both yours and stolen from you, to simultaneously contend with the weight of belonging and unbelonging. There is an organic power to this book—a revelatory, controlled chaos. Tommy Orange writes the way a storm makes landfall.^[19]

Speaking of the opening essay of the book, The Washington Post described it as "white-hot," as Orange "rifles through our national storehouse of atrocities and slurs," in a piece that begs not be passed over when compiling the year's list of "The Best American Essays."^[6] The San Francisco Chronicle described the prologue as "so searing that it set off a four-day publisher bidding war for reasons that are immediately apparent."^[7] Orange described his prologue as "a prayer from hell" in an interview with BuzzFeed, who for their own part, summarized it as "a sort of urban Native manifesto, a mini history, a prologue so good it leaves the reader feeling woozy, or concussed."^[20]

There There was shortlisted for the 2019 Andrew Carnegie Medal for Excellence in Fiction.^[21] It won the 2018 National Book Critics Circle Award's "John Leonard Prize" for the first book by a new voice^[22] and the 2019 Hemingway Foundation/PEN Award.^[23]

Sales edit

There There reached number one on the San Francisco Chronicle’s best-seller list, and number eight on The New York Times Best Seller list.^[24]

Sequel edit

A sequel to "There There" was announced by Tommy Orange with a 2024 release date. The new novel is titled "Wandering Stars."^[25][26]

• Sherman Alexie, Spokane-Coeur d'Alene-American novelist, short story writer, poet, and filmmaker
• Layli Long Soldier, an Oglala Lakota poet, writer and artist
• Louise Erdrich, American author of novels, poetry, and children's books featuring Native American characters and settings
• Terese Marie Mailhot, a First Nation Canadian writer, journalist, memoirist, and teacher
• List of writers from peoples indigenous to the Americas

• The State, a chapter from There There, published March 26, 2018, in The New Yorker, including audio as read by Tommy Orange
• Interview with Tommy Orange, published March 19, 2018, in The New Yorker
• Book Review of There There published March 20, 2018, by Kirkus Reviews

• Neary, Lynn (June 7, 2018). "Tommy Orange's 'There There' Has A Wide Cast Of Native American Characters (audio)". National Public Radio. Retrieved June 7, 2018.
• Orange, Tommy (June 19, 2018). "A letter from Tommy Orange, author of There There". Goldboro Books. Retrieved August 9, 2018.