Victoria in ancient Roman religion was the personified goddess of victory. She is the Roman equivalent of the Greek goddess Nike, and was associated with the goddesses Bellona and Roma. She was adapted from the Sabine agricultural goddess Vacuna and had a temple on the Palatine Hill. The goddess Vica Pota was also sometimes identified with Victoria. Victoria is often described as a daughter of Pallas and Styx, and as a sister of Zelus, Kratos, and Bia.
Unlike the Greek Nike, the goddess Victoria (Latin for "victory") was a major part of Roman society. Multiple temples were erected in her honor. When her statue was removed in 382 CE by Emperor Gratianus there was much anger in Rome. She was normally worshiped by triumphant generals returning from war.
Victoria appears widely on Roman coins, jewelry, architecture, and other arts. She is often seen with or in a chariot, as in the late 18th-century sculpture representing Victory in a quadriga on the Brandenburg Gate in Berlin, Germany; "Il Vittoriano" in Rome has two. Nike or Victoria was the charioteer for Zeus in his battle to overtake Mount Olympus.
Winged figures, very often in pairs, representing victory and referred to as winged victories, were common in Roman official iconography, typically hovering high in a composition, and often filling spaces in spandrels or other gaps in architecture. These represent the spirit of victory rather than the goddess herself. Pairs of winged victories continued to appear after Christianization of the Empire and gradually evolved into depictions of Christian angels. A pair, facing inwards, fitted very conveniently into the spandrels of arches, and have been very common in Triumphal arches and similar designs where a circular element is framed by a rectangle.
Intaglio in lapis lazuli representing Victoria, 100 - 200 A.D., found in Tongeren Gallo-roman museum, Tongres
Roman goddess Victoria in Arretine Ware fragment