Victoria Vokes was born in Clapham^[2] in London in 1850^[3][4] and was a member of the well-known Vokes Family made up of three sisters, a brother and "foster brother" (actually actor Walter Fawdon (1844-1904) who changed his name to Fawdon Vokes and who outlived the rest of his "family") popular in the pantomime theatres of 1870s London and in the United States. Their father, Frederick Strafford Thwaites Vokes (1816-1890), was a theatrical costumier and wigmaker^[4] who owned a shop at 19 Henrietta Street, Covent Garden. Their mother Sarah Jane Biddulph née Godden (1818-1897) was the daughter of Welsh-born strolling player Will Wood and his actress wife.

Victoria Vokes was the second of the three sisters and was trained for the stage from a young age, making her first appearance on the stage aged just 2. In the 1861 aged 11 Census her profession was listed as "Actress".^[2]

First as the "Vokes Children" and later the "Vokes Family" they began to perform at music halls and at pantomimes, and by their agility and humour made the name well known to English and American theatre-goers.^[5] They made their début on Christmas night in 1861 at Howard's Operetta House in Edinburgh^[6] and made their London début at the Alhambra Theatre in 1862 when they were billed as "The Five Little Vokes".^[6] They appeared at the Lyceum Theatre in London on 26 December 1868 in the pantomime Humpty Dumpty written by Edward Litt Laman Blanchard, and they traveled through a great part of the civilized world. Early in their career, at the Lyceum Theatre in London, they danced in W. S. Gilbert's pantomime Harlequin Cock Robin and Jenny Wren.^[7] Their first appearance in pantomime at Drury Lane was in Humpty Dumpty in 1868 followed by Beauty and the Beast, or Harlequin and Old Mother Bunch in 1869.^[8] They first appeared in the popular The Belles of the Kitchen on 27 February 1869 at the Standard Theatre in London. They made their Paris debut in August 1870 at the Théâtre du Châtelet where they were an immediate success, but with the outbreak of the Franco-Prussian War it became unsafe to remain and they left the city with just a few hours notice.^[9] Back in London she appeared with the rest of the Vokes Family in Tom Thumb the Great; or, Harlequin King Arthur and the Knights of the Round Table in their début performance at the Theatre Royal, Drury Lane in Christmas 1871.^[10]

With her brother and sisters and "foster brother", Fred and Fawdon and Jessie and Rosina, she began her career as "The Vokes Children," which was afterward changed to "The Vokes Family," at the Operetta House in Edinburgh. Their success was pronounced and continuous.^[11][12]

The piece that most successfully carried an audience by storm was The Belles of the Kitchen, in which the Vokes Family made its debut in the United States at the Union Square Theatre in New York on 15 April 1872 and in which Victoria Vokes played Mary. The family then embarked on a six month tour of the United States before returning to Britain where in October 1872 they performed Fun in a Fog. They returned to New York in April 1873 at Niblo's Garden and remained in America for the next year and nine months before returning to England. Their next season in America was at the Fifth Avenue Theatre in New York where they remained for three months. The Vokes Family returned to the USA (without Rosina Vokes who had married in 1877) in April 1881 when they appeared at the Globe Theatre in Boston and returned to England in June 1882 but without Fred Vokes; the family returned to the USA in Autumn 1882. They made their last appearance in New York at the Mount Morris Theatre in Harlem in January 1883, returning to England (again without brother Fred) in June 1883.^[6] Jessie Vokes's clever recitations and dancing were appreciated, but she was not so prominent in the cast as her siblings Victoria and Fred, who were especially happy in their rendering of the tower scene from Il trovatore, or as Rosina Vokes, who was regarded by the young men as the flower of the family.^[11][12]

For about ten years (with the exception of 1873, when they were touring abroad) the Vokes Family were regulars in the annual Christmas pantomime at Drury Lane, including Humpty Dumpty (1868); Beauty and the Beast! or, Harlequin and Old Mother Bunch (1869); The Dragon of Wantley; or, Harlequin or Old Mother Shipton (1870); Tom Thumb; or, King Arthur and the Knights of the Round Table (1871), and Children in the Wood (1872).^[13] In 1871 she replaced Adelaide Neilson as Amy Robsart in Kenilworth at Drury Lane. Of her appearance as the child William in the pantomime The Children in the Wood in 1873 Lewis Carroll praised the dancing of the Vokes family and wrote of the then 23 year-old Victoria "I have never seen anything more graceful than Miss Victoria Vokes as the boy."^[14] She was Aladdin in Aladdin or Harlequin and the Wonderful Lamp (1874), and appeared in Dick Whittington (1875); Ai Baba and the Forty Thieves (1876); Prince Natty the Neat in The White Cat (1877), and played the title role in Cinderella (1878). The critics were not kind concerning the contribution of the Vokes Family to Cinderella, making such comments as: "They were on stage far too long", "They are sublimely indifferent as to whether the story of Cinderella be a Sanskrit myth or a Greek fable", "If they want to retain their hold on the public, they should get someone to concoct for them new modes". Not being the draw they had once been, the Vokes Family discovered the pantomime was in debt and refused to drop their salaries which F. B. Chatterton the manager could not meet, and the production closed owing £36,000 in February 1879 putting all involved out of work.^[15] The family returned to Drury Lane in 1879 in the pantomime Bluebeard in which Victoria Vokes played Selim. This was to be their last pantomime at Drury Lane as by now the public were wearying of the Vokes Family who had dominated the pantomime at Drury Lane for more than a decade but who had never updated their routines. The new manager Augustus Harris found the Vokes Family to be too demanding, while they considered him a tyrant.

For Christmas 1880 the family were at Covent Garden in Valentine and Orson; or, Harlequin and the Magic Shield written by F. C. Burnand.^[16] In Little Red Riding Hood at Her Majesty's Theatre at Christmas 1883 Victoria Vokes was described as, "the very life and soul, the central figure of the pantomime, the moving spirit of all. Never have we seen her so full of fun and energy."^[17] Also a serious actress, in 1890 she was in Arthur Macklin's My Lady Help at the Shaftesbury Theatre while in 1891 she played Mrs. O'Braggerty in Hubby, also at the Shaftesbury Theatre.^[18]

The Vokes family through their mother's brother, actor William F. Wood (1799-1855), were first cousins of American actress Rose Wood Morrison, who was the maternal grandmother of Hollywood starlets Constance Bennett and Joan Bennett.

Victoria Vokes died on 2 November 1894 at Burleigh House on Loudoun Road in St John's Wood in London.^[19] She never married^[20][21] and is buried in the family plot in Brompton Cemetery in London.^[22] Her death, the death of her brother Fred and her sister Jessie Vokes and the marriage of her sister Rosina Vokes in 1877 resulted in the break up of the family troupe.

• Vokes family
• Fawdon Vokes
• Fred Vokes
• Jessie Vokes
• Rosina Vokes