Who's Singin' Over There?

Summary

Who's Singin' Over There? (Serbo-Croatian: Ko to tamo peva) is a 1980 Yugoslav film written by Dušan Kovačević and directed by Slobodan Šijan.[3] It is a dark comedy and features an ensemble cast. The film tells a story about a group of passengers traveling by bus to Belgrade in 1941, during the last days of the Kingdom of Yugoslavia, just before the Axis occupation of Yugoslavia.

Who's Singin' Over There?
Yugoslav cinema release film poster, designed by Mirko Ilić[2]
Serbo-CroatianKo to tamo peva
Directed bydirector
Written bywriter
Produced byproducer
Starring
Narrated bynarrator
CinematographyBožidar Nikolić
Edited byLana Vukobratović
Music byVojislav Kostić
Production
company
Centar Film
Distributed bydistributor
Release date
23 October 1980[1]
Running time
87 minutes[3]
CountryYugoslavia
LanguageSerbo-Croatian
BudgetDEM180,000[4]

The film was screened in the Un Certain Regard section at the 1981 Cannes Film Festival.[5] In 1996, the Yugoslav Board of the Academy of Film Art and Science (AFUN) voted this movie the best Serbian movie made in the 1947–1995 period.

Plot edit

On Saturday, 5 April 1941, one day before the Axis invasion of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two Romani musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstić Sr., and driven by his impressionable and dim-witted son Miško.

Along the way, they are joined by a priest and a pair of young newlyweds who are on their way to the seaside for their honeymoon, and are faced with numerous difficulties: an army roadblock forcing a detour, a farmer ploughing the road which, he claims, stretches over his land, a flat tire, a funeral, two feuding families, a shaky bridge, Krstić Jr.'s recruitment into the army, and a lost wallet. All these slow the bus down and expose rifts among the travelers.

During the early morning of Sunday, 6 April, amid rumours of war, they finally reach Belgrade only to be caught in the middle of the Luftwaffe raid (Operation Punishment). The only apparent surviving passengers are the two Romani musicians who sing the film's theme song before the end.

Za Beograd edit

 
Opening scene

Za Beograd[a] (also Sviće zora u subotu,[b] by the first line) is the signature song of the film, sung by two Romani youths. Written by the film's composer Vojislav Kostić, it has become notable by itself and was frequently covered by other artists.[6]

The film opens with the song sung by two Roma youths into the camera and it continues throughout the film. The older musician plays accordion, the younger one plays the jaw harp.

Cast edit

Za Beograd singers edit

The role of the older singer was played by Miodrag "Mića" Kostić (25 years at the time of the filming; born on 27 June 1955, native of Belgrade[7]) and of the younger one by Miodrag's nephew, Nenad Kostić (11 years). Miodrag earned 3 million dinars and Nenad 1.5 million for the roles.[8][7]

In interviews, Miodrag describes how he got the role. It so happened that he and film director Slobodan Šijan took part in the same military exercise, but in different companies. Miodrag was proposed to do a gig for the soldiers and probably that's what brought Šijan's attention. After that Miodrag got an offer.[8]

When Miodrag was suggested to take a child for a companion, he refused to work with an unfamiliar kid and suggested his nephew, Nenad. Since Nenad could not play jaw harp, he only held it by the mouth and Mića Đorđević recorded the playing in the studio.[8][7]

Since the film Miodrag remained an accordion player, and Nenad had eventually become a bus driver.[8] Miodrag also played roles of Roma musician in the 1994 TV series Otvorena vrata, in the 2004 comedy film Pljacka Treceg Rajha[9] and some others.

Production edit

Centar Film, a state-owned production house, wanted to make Dušan Kovačević's script into a movie since 1978.

Reportedly, Goran Paskaljević was their first choice to direct the movie. He was supposed to shoot the Kovačević script as a contemporary-themed 50-minute TV movie whose story takes place in the late 1970s Yugoslavia on a public transport bus with the central character—an old man (played by Mija Aleksić)—headed to pay a visit to his son who's away serving his mandatory Yugoslav People's Army (JNA) service. However, Paskaljević decided to leave the project and shoot the feature film Zemaljski dani teku instead.

The job then went to the 33-year-old Slobodan Šijan who had never shot a feature film up to that point.[10] Šijan described his experience:[11]

When I did my first film I was slightly scared, was it actually going to be funny? Because comedy is straightforward, there is no fooling around with it, if people don't laugh it's a bust.

The movie was made on a budget of US$130,000 with 21 shooting days.[12] The filming began on 3 April 1980.[10] It was shot almost entirely in Deliblatska Peščara.

The Mercedes-Benz O 3500 [de][13] bus was chosen by the film's production designer Veljko Despotović based on the description provided by Šijan. It was rented from Jadran Film and painted red for the film. The same vehicle had appeared in earlier Yugoslav films such as Occupation in 26 Pictures (1978) and See You in the Next War (1980). For Occupation in 26 Pictures, the bus had been fitted with a removable roof used to provide natural lighting. It was, however, barely in driving condition, and for interior shots the bus was mostly pushed or towed so as not to strain the engine. The smoke and the presence of live pigs in the cramped interior space made the filming conditions very difficult for the cast and the crew.[14]

The final bombing scene was originally meant to include wild animals from the bombed Belgrade Zoo roaming through the city's downtown, which indeed happened during actual 6 April 1941 Luftwaffe air-raids; in fact, an old newspaper article documenting this bizarre occurrence served as inspiration for the author Dušan Kovačević to include it in the film. However, at the time of movie's filming in 1980, Tito died, which resulted in the extended mourning period that effectively canceled all entertainment activities in the country - including the Italian circus tour that was meant to provide the animals for the scene. Since working with untrained zoo animals was deemed too dangerous, the film-makers reluctantly had to abandon the idea at the time. However, the idea was used in the opening scene of Underground (1995), some 15 years later.[citation needed]

In 2004 the film was turned into a ballet by the National Theatre in Belgrade.[15] The music is again by Vojislav Kostić and the choreography is made by Staša Zurovac.

Reception and reaction edit

The movie became an instant classic all over SFR Yugoslavia immediately upon its release. To this day, it endures as one of the most quotable movies ever to come out of the Balkans. Different scenes and dialogues are almost a part of general knowledge, with many entering public vernacular.[1]

The film earned the special jury award at the 1981 Montréal World Film Festival.

In 1996, members of the Yugoslavian Board of the Academy of Film Art and Science (AFUN) voted this movie as the best Serbian movie made in the 1947–1995 period.[16]

Film critic Fedor Tot compares the song Za Beograd with the Greek chorus: the action stops, the singers sing the next piece of the song that comments on the major events in the surrounding life, then the action continues. Other than that the Roma singers take little part in the action of the film, with the exception of the very end when they are accused of stealing the wallet. Other passengers treat the singers negatively as stereotypical Roma, according to the two most common stereotypes: musicians and thieves. Ironically, the singers were the sole survivors of the bombing among the passengers because they were expelled from the bus.[6]

In 2017, before the gala screening of the digitally restored film, the scene was given to Miodrag and Nenad with their song, which earned the first ovations of the event.[8]

See also edit

Notes edit

  1. ^ 'For Belgrade'
  2. ^ 'Dawn breaks on Saturday'

References edit

  1. ^ a b Baćković, Nemanja (18 September 2015). "Мишко и данас вози!" [Miško still drives]. Politikin Zabavnik: 4–7.
  2. ^ Ilić, Mirko (19 July 2012). "First Movie Poster". Mirko Ilić Blog. Retrieved 21 September 2015.
  3. ^ a b "Ko to tamo peva". Centar Film official web site. Retrieved 21 September 2015.
  4. ^ Interview with Dušan Kovačević on DVD edition of movie
  5. ^ "Festival de Cannes: Who's That Singing Over There". festival-cannes.com. Retrieved 6 June 2009.
  6. ^ a b Fedor Tot, Who’s Singin’ Over There?: Roma music and survival in Yugoslav cinema - Ko to tamo peva, Bright Wall / Dark Room, issue 92, February 2021
  7. ^ a b c Duca Jovanović, Mića Kostić, pevač legendarnih songova iz "Ko to tamo peva", ekskluzivno za Muzičku apoteku, Telegraf, 25 October 2022
  8. ^ a b c d e Katarina Nikolić, SCENA, INTERVJU: MIODRAG KOSTIĆ HARMONIKAŠ, Ekspres, 23 December 2017
  9. ^ Argymir Iwicki, Ko to tamo peva? – zakręcony los aktora, 15 January 2021 (in Polish)
  10. ^ a b SLOBODAN ŠIJAN – Reditelj komedija: Još sam živ i snimam, Popboks, April 30, 2009
  11. ^ Jakonić, Petar; Tucaković, Dinko (October 1982). "Slobodan Šijan (1. deo intervjua)". Džuboks (in Serbian). Retrieved 22 January 2021.
  12. ^ Име редитеља је права слика филма : Интервјуи : Спорт : ПОЛИТИКА
  13. ^ ""Miškov"autobus trunuo u Zagrebu". Večernje novosti (in Serbian). 3 June 2015. Retrieved 22 January 2021.
  14. ^ "Vozi, Miško! Bus opet pali". Globus (in Croatian). 25 May 2010. Retrieved 22 January 2021.
  15. ^ Народно позориште у Београду
  16. ^ SERBIAN FILM PRODUCTION - FEATURE FILMS Archived 5 February 2009 at the Wayback Machine

External links edit

  • Who's Singin' Over There? at IMDb  
  • Who's Singin' Over There? at Rotten Tomatoes
  • Miodrag Kostic at IMDb
  • Nenad Kostic at IMDb
  • "Ko to tamo peva" u slikama
  • east European Film Bulletin
  • Shaviro