Mad Max 2 (released as The Road Warrior in the United States) is a 1981 Australian post-apocalyptic action film directed by George Miller. It is the second installment in the Mad Max franchise, with Mel Gibson reprising his role as "Mad" Max Rockatansky. The film's tale of a community of settlers who moved to defend themselves against a roving band of marauders follows an archetypical "Western" frontier movie motif, as does Max's role as a hardened man who rediscovers his humanity when he decides to help the settlers. Filming took place in locations around Broken Hill, in the outback of New South Wales.
|Mad Max 2|
|Directed by||George Miller|
|Produced by||Byron Kennedy|
|Music by||Brian May|
|Box office||US$36 million (theatrical rentals)|
Mad Max 2 was released on 24 December 1981 to widespread critical acclaim. Viewers praised the visuals and Gibson's role. Noteworthy elements of the film also include cinematographer Dean Semler's widescreen photography of Australia's vast desert landscapes, the sparing use of dialogue, costume designer Norma Moriceau's punky mohawked bikers wearing leather bondage gear, its fast-paced, tightly edited battle and chase scenes, and Brian May's musical score.
The film's post-apocalyptic and punk aesthetics popularised the genre in film and fiction writing. It was also a box office success, being the highest-grossing Australian film worldwide. It won the Best International Film from six nominations at the Saturn Award ceremony, including: Best Director for Miller; Best Actor for Gibson; Best Supporting Actor for Bruce Spence; Best Writing for Miller, Hayes and Hannant; and Best Costume for Norma Moriceau. Mad Max 2 became a cult film, with fan clubs and "road warrior"-themed activities continuing into the 21st century, and is now widely hailed to be one of the greatest action movies of all time, as well as one of the greatest sequels ever made. The film was preceded by Mad Max in 1979 and followed by Mad Max Beyond Thunderdome in 1985 and Mad Max: Fury Road in 2015.
Following a global war and the collapse of civilization after oil supplies were nearly exhausted, the world is in a state of barbarism. Haunted by the death of his family, former policeman Max Rockatansky now roams the desert wilderness of a post-apocalyptic Australia in a scarred, black, supercharged V-8 Pursuit Special. Scavenging for food and petrol, Max's only companion is an Australian Cattle Dog. After driving off a gang led by the unhinged biker warrior Wez, and taking petrol from one of their wrecked vehicles, Max finds an apparently abandoned gyrocopter and decides to collect its fuel, but is ambushed by the pilot. Max manages to overpower him and spares his life in return for being led to an oil refinery that the pilot has discovered. When they arrive, Max finds the compound under siege by the Marauders, a motley gang of drivers and motorcyclists of which Wez is a member. The Marauders' leader, a large masked man called "Lord Humungus", has his gang attacking the complex daily, believing that the compound contains fuel reserves.
Biding his time, Max sees an opportunity when several groups of the settlers attempt to break out of the besieged compound and are chased down by the Marauders. Max rescues the single survivor of one group and strikes a deal to return him to the complex in exchange for fuel. The man dies from his wounds shortly after Max takes him back, and the settlers' leader Papagallo reneges on the deal. The settlers are on the verge of killing Max when the Marauders return. Although Wez wants to kill all the settlers after his partner is killed by a metal boomerang thrown by a feral child living within the complex, Humungus offers the settlers safe passage in exchange for the fuel supply.
Max offers an alternative deal to Papagallo: he will procure a vehicle to haul the settler's tanker if they return his car and give him as much fuel as he can carry. The settlers accept, but keep his car until he returns. That night, carrying fuel for the truck, Max sneaks out on foot with the Feral Kid's help. He again encounters the Gyro Captain and forces him to carry the fuel to the truck, a Mack semi which Max discovered after his initial encounter with Wez. With aerial support from the Gyro Captain, Max drives the semi through the Marauders' encampment into the compound. Though the settlers want Max to escape with them to the Far North, (revealed to be the Sunshine Coast by a set of postcards), Max opts to collect his fuel and leave. However, while attempting to break through the siege, Max is seriously injured when his car is wrecked after being run off the road by Wez in Lord Humungus's nitrous oxide-equipped vehicle. One of the Marauders kills Max's dog with a crossbow and is about to kill Max when the Toadie's attempt to siphon the fuel from the Pursuit Special's tanks triggers the car to self-destruct; both Marauders are killed in the explosion. Max is left for dead, but the Gyro Captain rescues him and flies him back to the compound.
Despite his injuries, Max insists on driving the repaired and now armored truck with the fuel tanker. He leaves the compound, accompanied by the Feral Kid with Papagallo and several of the settlers in armored vehicles to provide protection. Lord Humungus and most of his warriors pursue the tanker, leaving the remaining settlers free to flee the compound in a ramshackle bus, rigging the compound to explode. After Papagallo and the defenders are killed during the chase, and the Gyro Captain shot down, Max and the Feral Kid find themselves alone against the Marauders as Wez boards the truck to kill the two of them.
However, the semi's head-on collision with Humungus' car kills both him and Wez as the out-of-control truck rolls off the road while the surviving Marauders leave. As the injured Max carries the Feral Kid from the wrecked tanker, he sees not oil, but sand, leaking from the tank, revealing it to be a decoy which allowed the other settlers to escape with the fuel in oil drums hidden inside their vehicles. With Papagallo dead, the Gyro Captain succeeds him as their chief and leads the settlers to the coast, where they establish the "Great Northern Tribe". The Feral Kid (as an adult and the Northern Tribe's new leader) is revealed as the film's narrator, reminiscing about the Road Warrior, who departed for parts unknown, and now lives on only in legend.
Following the release of Mad Max, director George Miller received a number of offers from Hollywood, including one to direct First Blood. However, Miller instead decided to pursue a rock and roll movie under the working title of Roxanne. After working with writer Terry Hayes on the novelization of Mad Max, Miller and Hayes teamed up to write Roxanne in Los Angeles but the script was ultimately shelved. Miller then became more intrigued with the idea of returning to the world of Mad Max, as a larger budget would allow him to be more ambitious. "Making Mad Max was a very unhappy experience for me," said Miller. "There was strong pressure to make a sequel, and I felt we could do a better job with a second movie."
Inspired by Joseph Campbell's The Hero with a Thousand Faces and the work of Carl Jung, Miller recruited Hayes to join the production as a scriptwriter. Brian Hannant also came on board as co-writer and second unit director. Miller says that he was greatly influenced by the films of Akira Kurosawa.
Principal photography took place over the course of twelve weeks in the winter of 1980 near Broken Hill. Scenes were shot at the Pinnacles, where the set of the compound was situated. The scene where the Pursuit Special rolls over and explodes was shot at Wilangee Road near the Mundi Mundi Plains lookout, just outside Silverton.
The original cut of the film was more bloody and violent, but it was cut down heavily by Australian censors. Entire scenes and sequences were deleted completely or edited to receive an "M" rating. When it was submitted to the MPAA in the United States, two additional scenes (Wez pulling an arrow out of his arm and a close-up shot of him pulling a boomerang out of his dead boyfriend's head) were shortened. Although there is a version of the film that includes the scenes trimmed down for the MPAA, no version without previous cuts exists.
The musical score for Mad Max 2 was composed and conducted by Australian composer Brian May, who had previously composed the music for the first film. A soundtrack album was released in 1982 by Varèse Sarabande.
The film was a commercial success, grossing double Mad Max's Australian record A$5.4 million, with a gross of A$10.8 million in Australia. Despite beating Mad Max's record, it was not the highest-grossing Australian film of the year in Australia, with Gallipoli grossing A$11.7 million.
Renamed The Road Warrior in the United States, it also outperformed Mad Max there with a gross of US$23.6 million, earning theatrical rentals of $11 million. When Mad Max was released in 1980 in the United States, it did not receive a proper release from its distributor, American International Pictures. AIP was in the final stages of a change of ownership after being bought by Filmways, Inc. a year earlier. AIP's problems affected the release of the film and its box office in the US. Warner Bros. decided to release Mad Max 2 in the United States, but they recognised that the first film was not popular in North America. Although the original Mad Max was becoming popular through cable channel showings, Warner Bros. decided to change the name of its sequel to The Road Warrior. The advertising for the film, including print ads, trailers, and TV commercials, did not refer to the Max character at all, and all shied away from the fact that the film was a sequel. For the majority of viewers, their first inkling of Road Warrior being a sequel to Mad Max was when they saw the black and white, archival footage from the previous film during the prologue. Vestron Video capitalized by releasing Mad Max on video and subtitling it "the thrilling predecessor to The Road Warrior."
Mad Max 2 received positive reviews and is regarded by many critics as one of the best films of 1981. On review aggregator website Rotten Tomatoes, the film holds an approval rating of 94%, based on reviews from 48 critics, and with an average rating of 8.40/10. The site's critical consensus, "The Road Warrior is everything a bigger-budgeted Mad Max sequel should be: bigger, faster, louder, but definitely not dumber." On Metacritic, the film holds a rating of 77 out of 100 based on 15 reviews, indicating "generally favourable reviews". Film critic Roger Ebert of the Chicago Sun-Times gave the film three-and-a-half stars out of four, praised its "skillful filmmaking," and called it "a film of pure action, of kinetic energy", which is "one of the most relentlessly aggressive movies ever made". While Ebert pointed out that the film does not develop its "vision of a violent future world ... with characters and dialogue", and uses only the "barest possible bones of a plot", he praised its action sequences. Ebert called the climactic chase sequence "unbelievably well-sustained" and states that the "special effects and stunts...are spectacular", creating a "frightening, sometimes disgusting, and (if the truth be told) exhilarating" effect.
In his review for The New York Times, Vincent Canby wrote, "Never has a film's vision of the post-nuclear-holocaust world seemed quite as desolate and as brutal, or as action-packed and sometimes as funny as in George Miller's apocalyptic The Road Warrior, an extravagant film fantasy that looks like a sadomasochistic comic book come to life". In his review for Newsweek, Charles Michener praised Mel Gibson's "easy, unswaggering masculinity", saying that "[his] hint of Down Under humor may be quintessentially Australian but is also the stuff of an international male star".
Gary Arnold, in his review for The Washington Post, wrote, "While he seems to let triumph slip out of his grasp, Miller is still a prodigious talent, capable of a scenic and emotional amplitude that recalls the most stirring attributes in great action directors like Kurosawa, Peckinpah and Leone". Pauline Kael called Mad Max 2 a "mutant" film that was "...sprung from virtually all action genres", creating "...one continuous spurt of energy" by using "jangly, fast editing". However, Kael criticized director George Miller's "attempt to tap into the universal concept of the hero", stating that this attempt "makes the film joyless", "sappy", and "sentimental".
The film's depiction of a post-apocalyptic future was widely copied by other filmmakers and in science fiction novels, to the point that its gritty "junkyard society of the future look...is almost taken for granted in the modern science-fiction action film." The Encyclopedia of Science Fiction says that Mad Max 2, "with all its comic-strip energy and vividness...is exploitation cinema at its most inventive."
Richard Scheib called Mad Max 2 "one of the few occasions where a sequel makes a dramatic improvement in quality over its predecessor." He said that the film is a "kinetic comic-book of a film," an "exhilarating non-stop rollercoaster ride of a film that contains some of the most exciting stunts and car crashes ever put on screen." Scheib stated that the film transforms the "post-holocaust landscape into the equivalent of a Western frontier," such that "Mel Gibson's Max could just as easily be Clint Eastwood's tight-lipped Man With No Name" helping "decent frightened folk" from the "marauding Redskins".
Christopher John reviewed Road Warrior in Ares Magazine #13 and commented that "Its taut scripting, exceptional performances, and pulse-pounding pacing, which leaves an audience breathless, combined to make it one of the best SF films of the year. It also has the courage to show what the face of death really looks like. Mel Gibson's portrayal of Max is hard, bitter and realistic; he is neither hero nor coward, but a man caught up in a mad future which he confronts unafraid."
The film received much recognition from the Academy of Science Fiction, Fantasy & Horror Films. It won the Saturn Award for Best International Film. It received additional nominations for Best Director, Best Writing, and Best Costume Design. Mel Gibson and Bruce Spence received nods for Best Actor and Best Supporting Actor, respectively. George Miller won the Grand Prize at the Avoriaz Fantastic Film Festival. Mad Max 2 was also nominated for the Hugo Award for Best Dramatic Presentation and was awarded the Los Angeles Film Critics Association award for Best Foreign Film. The film was also recognised by the Australian Film Institute, winning awards for best direction, costume design, editing, production design and sound. It received additional nominations for the cinematography and musical score. Despite receiving the most nominations and wins, it was not nominated for Best Film.
The Mad Max series of films, with their emphasis on dystopian, apocalyptic, and post-apocalyptic themes and imagery, have inspired some artists to recreate the look and feel of some aspects of the series in their work. As well, fan clubs and "road warrior"-themed activities continue into the 21st century. In 2008, Mad Max 2 was selected by Empire magazine as one of The 500 Greatest Movies of All Time. Similarly, The New York Times placed the film on its Best 1000 Movies Ever list. Entertainment Weekly ranked Mad Max 2 93rd on their 100 Greatest Movies of All Time list in 1999, 41st on their updated All-Time 100 Greatest Films in 2013 list, and the character Mad Max as 11th on their list of The All Time Coolest Heroes in Pop Culture. In 2016, James Charisma of Playboy ranked the film #11 on a list of 15 Sequels That Are Way Better Than the Originals.
The film has a permanent legacy in the small town of Silverton, which is 25 kilometres from Broken Hill in New South Wales, Australia. A museum dedicated to Mad Max 2 was established in 2010 by Adrian and Linda Bennett, who developed the museum after moving to Silverton and building a collection of Mad Max props and memorabilia.
A sequel titled Mad Max Beyond Thunderdome, was released in 1985.
has a film's vision of the post-nuclear-holocaust world seemed quite as desolate and as brutal, or as action-packed and sometimes as funny as in George Miller's apocalyptic The Road Warrior, an extravagant film fantasy that looks like a sadomasochistic comic book come to life.
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